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Where the Sun Meets the Blue

by Tom Mank and Sera Smolen

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  • Compact Disc (CD) + Digital Album

    Recorded May 2006 - March 2007 by Julie Last @ Cold Brook Productions, Bearsville, NY - additional recording by Will Russell at Electric Wilburland
    Mastered by Rich DePaolo
    Graphic Design by Patti Witten
    Produced by Julie Last.

    Artists: Julie Last (vocal), Kirsti Gholson (vocal), Pam Daley (vocal), Amy Merrill (viola), Eddie Smith (percussion), David Hornung (accordian), Josh Roy Brown (lap steel), and Michael Veitch (electric guitar)

    Includes unlimited streaming of Where the Sun Meets the Blue via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Fell in love and I can’t get out The one I love is in a shadow of doubt I walk all over town Caught in the middle of an off-beat rhyme Waiting To see my baby Waiting To see my baby I want to dance all over town But the one I love can’t be found I search a long time Caught in the middle of an off-beat rhyme Waiting To see my baby Waiting To see my baby So I walk under the sky But the sky won’t bend and the wind won’t cry I wait a long time Caught in the middle of an off-beat rhyme Waiting To see my baby Waiting To see my baby
2.
In Baltimore in 1963 A street runs through the city One side white and one side black And if you cross that line you can't go back Keep crossing that line Dr. King came to town and he did say It was the most segregated city in the USA One part love and two parts fist If you cross that line you're gonna be kissed Keep crossing that line In Baltimore in 1963 Dr, King came to town and he did see One side white and one side black Once you cross that line you can never go back Keep crossing that line
3.
Way out there on the horizon Where the sun meets the blue She is there waiting Way out there for you If you set sail in the springtime To where the sun meets the blue She's still there waiting Way out there for you
4.
When I met you Through one of our friends You didn’t want to talk You didn’t want to dance No kiss and tell If the first kiss stings Just slow down And see what the night brings When you feel love In this circumstance You don’t want to move Or take a chance No kiss and tell If the first kiss stings Just slow down And see what the night brings We meet in parks And moonlit side roads We talk about love And all that the heart holds No kiss and tell If the first kiss stings Just slow down And see what the night brings
5.
Break it down to the parts that make the sum Break it down to the silence in the drum Break it down to the distance we have come Break it down You can call You can fly Leave it all And meet me on the mountain Meet me on the mountain I'll whisper to your skin Meet me on the mountain The sky will take you in Break it down from the penthouse to the slum Break it down to what we've overcome Break it down to the sweet delirium Break it down You can call You can fly Leave it all And meet me on the mountain Meet me on the mountain I'll whisper to your skin Meet me on the mountain The sky will take you in
6.
Sarkori 02:09
7.
The sky is out in stages I hope that it lasts As the moment ages Into the past Think I’ll go down to St. Paul St. To see if you’re home (I really want to see you now) Think I’ll go down to St. Paul St. To see if you’re home (I really want to see you now) Once we were dancers Gliding on the stars Balancing on stages ‘til the curtain calls Think I’ll go down to St. Paul St. To see if you’re home (I really want to see you now) Think I’ll go down to St. Paul St. To see if you’re home (I really want to see you now) Motion pictures On the window pane I’m thinking of you Suspended in the rain Think I’ll go down to St. Paul St. To see if you’re home (I really want to see you now) Think I’ll go down to St. Paul St. To see if you’re home (I really want to see you now)
8.
Used to play in halls / dense in conversation / back then the band was / the big sensation / now I'm here tonight / in the slow café / I can still remember / when our music took the day Now where's that train Where's that train that runs on / space and time / it's gone / like a whisper in the night / where's that crazy rhythm / coming through the haze / lost inside those / fleeting glory days Where's that train When swing was king / and set young lovers dancing / in mystery towns / the rhythm was romancing / now beneath these chairs / are the ghosts of dancing feet / moving to a melody / and tapping out the beat Where's that train
9.
Pull into town / look at the cartoon signs / just like 1969 / and smile Meet an old friend / in the dwindling rain / a poet's refrain / she looks to the sky Past the café / into the darkening woods / where the world's still one neighborhood / after all A stone's throw / from New York (City) / you stop by a cold brook / lit by the moon

about

"The combination of Mank’s voice, songs and guitar, complimented with Smolen’s cello and every time one or
two changing instruments and voices, results in a wonderful charismatic folk album.”
- Heaven Magazine, August 2007.

credits

released January 1, 2007

"Tom Mank and Sera Smolen are so far beyond the mainstream, it's scary. They are acoustic music's Igor Stravinsky in a world of Brahms and Schumanns. I mean, Brahms and Schumann are great, but Stravinsky— man, that's adventure! So it is with Mank and Smolen, at least as presented in Where the Sun Meets the Blue, an album of amazing musical styles. Sure, the overlying style is folk and jazz with a bit of Smolenized-classical thrown in on the side, but that does not even begin to describe what goes on on this album. And trust me when I say that the meager attempt I make here will fall sadly short. Mank approaches this album like a modern beatnik, picking subjects on the edge and presenting them with unerring touch. For instance, Off-Beat Rhyme. A seemingly simple look at an unrequited love of sorts, he creeps into the nebulous shadows of emotional turmoil, yet with a light and practical air brought off by his superb guitar and the absolutely laughably excellent cello of Sera Smolen. Throw in a magnificent performance, magically understated of course, by Amy Merrill on viola and some otherworldly voice by producer Julie Last and the stage is set. I am of the mind that Tom Mank and Sera Smolen are easily Grammy material. They are expert at their craft, but more than that, they develop it. At their level, I am not at all sure that it is a craft but art. Regardless, I know one thing. There can't be a gig they play where a large percentage of their audience is not comprised of fellow musicians. That, my friends, is a given, and it speaks volumes."
Frank Gutch, Jr. - Folk and Acoustic Music Exchange (Aug, 2008)

"Tom Mank's talent lies in songwriting and in creatively dreaming away to horizons 'where the sun meets the blue'. His songs remain on that emotional line which perfectly keeps the balance between jazzy bluesnotes and improvising day-dreaming-blues. Sometimes his voice resembles Nick Drake. He also knows how to embrace the nostalgia of the fall as well as the spring-breeze in his songs. (This is) an album to become silent out of respect for the wandering spirits on dancing feet, reaching out for a melody and the rhythm of the beat. No better words than this 'free translation' of the passage from Tom Mank's 'Where's That Train', to describe this CD."
Marcie - Rootstime (Jan, 2008)

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Tom Mank and Sera Smolen Ithaca, New York

Tom Mank, an independent singer-songwriter for the past twenty years, has played in folk, blues, and bluegrass bands collaborating with a host of singers and instrumentalists.

Dr. Sera Jane Smolen is an active performer of many genres of music. In addition to her collaboration with Mank, she has performed extensively with the Cayuga Chamber Orchestra and many others.
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